12.5-hour online training  ·  Susan Perrow, M.Ed

When talking doesn't reach a child, a story can.

A five-session training in writing therapeutic stories — for the challenging behaviour and the hard situations you meet at home, in the classroom, and in your practice.

Susan Perrow

Susan Perrow — author, storyteller,
teacher trainer

5–7 & 19–20 Oct2026  ·  five sessions
3:00 – 5:30pmMalaysia time
6:00 – 8:30pmSydney time
On ZoomLive, in English
12 placesMaximum group size

Three minutes on why a story reaches where talking doesn't.

Introduction video · 3:24

Who this is for

You've explained it. You've reasoned with them.
It hasn't landed.

A child who hits. A child who won't sleep. A family moving through grief, separation, illness, a new baby. You already know that more talking rarely fixes it — and that the moment you name the problem directly, they close.

Therapeutic stories work the other way round. They come in sideways, through metaphor and imagination, and let the child meet the difficulty inside a story journey instead of being lectured about it. In this training, you learn to write your own — for the specific child, the specific situation, in front of you.

An illustration of five people together — one holding a book, one painting — surrounded by leaves and flowers.
Twelve people in a room, each bringing one child and one difficulty

Parents

For bedtime resistance, sibling jealousy, big feelings, and the family changes you can't shield them from.

Teachers

For the classroom dynamic that repeats — teasing, exclusion, tidy-up time, transitions — without singling a child out.

Counsellors

For clients who go quiet when asked direct questions, and for work that needs a gentler doorway in.

Therapists

For adding a creative, imaginative modality to your practice — one you write yourself, tailored to the case.

What a therapeutic story is

“Like a rainbow in a storm, a healing tale can shine light and colour into the challenges of daily life.”

There is no single formula. There are many different ways to write a therapeutic story, and the training works through the craft rather than a recipe.

You learn the definition and the story-making framework, how helping metaphors and obstacle metaphors work, and how movement is carried through a story journey. Then you take existing stories apart, in a group, until you can see how they were built.

Susan's rainbow, photographed over the mountains where she lived in Africa.

A rainbow over mountains in Africa, photographed by Susan Perrow

The five sessions

Twelve and a half hours, built to end with a story you wrote.

Three afternoons of teaching, then nine days to write, then two afternoons reading what you wrote. The gap in the middle is where the work happens.

You arrive with a challenge You leave with a story written 1 Mon 5 Oct 2 Tue 6 Oct 3 Wed 7 Oct Nine days to write 8 – 16 October 4 Mon 19 Oct 5 Tue 20 Oct
1
The topics beginMon 5 October
2
Topics continueTue 6 October
3
Topics continue · pairs formedWed 7 October · you choose your case
Nine days to write8 – 16 October · story to Susan
4
Teaching continues, and your story is readMon 19 October
5
Remaining stories, Q&A, closeTue 20 October
1 2 3 Sessions
Mon 5, Tue 6 & Wed 7 October

The topics, worked through across three afternoons

Before technique, orientation: why story reaches places instruction can't. Then the machinery — you learn to write these by first learning to read them properly, taking existing stories apart until the working parts are visible.

At the end of session three you identify a real challenging behaviour or situation of your own, you're paired with a partner, and Susan sends the group written guidelines for the writing task.

Where it starts

Orientation

  • Welcome, introductions, expectations and guidelines
  • The history and cultural value of storytelling
  • Imagination as a way of knowing
The definition

What makes a story therapeutic

  • Definition and story-making framework
  • Sharing and deconstructing examples
The craft

How a story is built

  • Helping metaphors and obstacle metaphors
  • Movement in story journeys
  • Group work: deconstruct a sample story together
Into your hands

The tools you'll write with

  • The eleven principles, expanded with examples
  • Story cards, metaphor mind maps and sketching your way in
  • You choose a real case and are paired with a partner
Susan teaches these as one continuous body of work — the material flows across the three sessions rather than being split neatly between them

Nine days to write

8 – 16 October

4 5 Sessions
Mon 19 & Tue 20 October

Teaching continues — and your story is read

These are not two afternoons of listening. Susan keeps teaching across both sessions — the story presentations are the material she teaches from, and she adds more where the group takes her.

She reads every story before the session it's discussed in, so the comment you receive is about the story you actually wrote, for the child you actually have in mind. Six pairs, six very different difficulties: hearing the others is the fastest way to see the method generalise beyond your own case.

Session four

Stories presented, and taught from

  • Pairs present the story they wrote together
  • Comments and teaching from Susan, and from the group
Session five

The rest, further teaching, then close

  • Remaining pairs present
  • Further material as the group's questions take it
  • Open questions, spoken and via chat
  • Conclusion and where to take this next
Story to Susan by Friday 16 October

The story-maker's eleven

The principles you'll work through in session three.

01 — Intention

Write with a helping intention, not a healing one. The difference changes the whole story.

02 — Attention

Listen. Observe. Research. The story is built from what's actually there, not what you assume.

03 — Story seeds

The seed is usually hiding inside the description of the challenge itself.

04 — Humour

Useful, and easy to misjudge. When it works and when it wounds.

05 — Pace

Don't rush from problem to resolution. Beware of clutter along the way.

06 — Turning points

Shifts and transitions are where the movement lives. Learn to place them.

07 — Your imagination

It needs feeding. Practical ways to nourish and strengthen it.

08 — Story cards

Playing at random with story journeys to loosen fixed thinking.

09 — Mind maps

Metaphor mind maps for exploring ideas before you commit to one.

10 — Resolution

Clarify where it lands. A vague ending undoes the whole journey.

11 — Sketching

Draw your way into metaphor and journey ideas when words stall.

Then you write one.

An illustration of a group of about twelve people gathered around a teacher holding an open book.

How it runs

Small group, live, and participatory throughout.

Capped at twelve people so everyone's story gets airtime.

Breakout roomsLive sessions with small group work inside them, not a lecture to twelve faces.
Q&A, spoken and via chatTwo ways in, so quieter participants aren't left behind.
A shared whiteboardInteractive discussion you can see taking shape, not just hear.
Conducted in EnglishLive on Zoom, 3.00–5.30pm Malaysia time.
An illustration of a screen showing a speaker holding pages, with listeners around her.

Before you start

Two things to do before session one.

Both are sent two to three weeks before the training — around mid-September — so there is time to work through them properly.

Listen to the one-hour introductory talkA free recording. Required, not optional — the training builds directly on it.
Read the 26-page workbookTheory notes and story examples, sent as pre-reading.

Also included in your place

The Zoom link for all five sessions
A writing partner for the story task
Susan's comment on your story, in session
A certificate of completion, signed by Susan
Susan Perrow

Your trainer

Susan Perrow, M.Ed

Author, storyteller, parent educator and teacher trainer, with twenty years of teaching experience across Australia and Africa.

In 2000 she developed the first storytelling course at an Australian university, Southern Cross University, and completed her Masters research on storytelling in a cross-cultural setting — post-apartheid South Africa. Her work now spans writing, consulting with teachers, parents and therapists, and running story therapy seminars nationally and internationally.

Her four resource books are published by Hawthorn Press in the UK and have been translated into twelve languages.

  • Healing Stories for Challenging Behaviour Hawthorn Press, UK
  • Therapeutic Storytelling Hawthorn Press, UK
  • An A–Z Collection of Behaviour Tales Hawthorn Press, UK
  • Stories to Light the Night: A Grief and Loss Collection Hawthorn Press, UK

“I have felt quite overwhelmed each time I wanted to come up with a story for a particular challenging behaviour or situation regarding my child. Your simple technique has taken the ‘overwhelm’ out of it and brought life and magic into writing a healing story.”

Shalini Christodoulou  ·  Teacher and parent, Singapore

“Although the training was online, it never felt distant. Her presence, warmth, and clarity made it feel as though we were all in the same room… This training is for everyone — regardless of background, profession, or age.”

Zeina El Zein  ·  Music therapist, Lebanon  ·  May 2025

“I so love what you are doing with these stories — they are a rich tool to touch children’s souls… I would love to be as fluent as you are in creating them.”

Monique Rutherford  ·  Child psychotherapist and parent counsellor, Queensland

“Filled with practical tips and hands on practice, Susan used her years of experience, wisdom, compassion and humour to bring alive the process of therapeutic story writing. I wish this were a longer course.”

Arunima Nair  ·  Social worker, Western Australia  ·  June 2022

“My hope is to use these newfound insights to craft stories that can offer some solace, even in the most subtle ways, to those who reach out to me for help.”

Carola Terreni  ·  Expressive arts therapist and teacher, Buenos Aires  ·  May 2024

“Her tools — like mind mapping, structure, and theme work — are not just techniques; they are lifelines for those of us working in crisis and care.”

Zeina El Zein  ·  Music therapist, Beirut, Lebanon

Who has already taken it

Susan runs this same training internationally. Recent groups have included therapists doing emergency work in Beirut schools and displacement centres, and teachers and social workers supporting Ukrainian refugees in Romania, in a programme funded by CARE and SERA Romania.

  • Australia
  • Lebanon
  • Argentina
  • Romania
  • Brazil
  • Canada
  • India
  • United States

Published work

Her books have travelled further than she has.

Four story collections published by Hawthorn Press in the UK, alongside her academic work — and translated for readers across Asia, Europe and Latin America.

Therapeutic Storytelling — 101 Healing Stories for Children — English · Hawthorn Press
Healing Stories for Challenging Behaviour — English · Hawthorn Press
An A–Z Collection of Behaviour Tales — English · Hawthorn Press
The Adventures of Little Silk — English
Storytelling in African Teacher Training — English · academic
101 Cuentos Sanadores — Spanish
Cuentos Sanadores — Spanish
Kể chuyện trị liệu — Vietnamese
Zdravilne zgodbe za vedenjske izzive — Slovenian
Three titles in Turkish — Turkish
お話で育む子どもの心 — Japanese
치유 이야기 — Korean
치유동화 — Korean
故事知道怎么办 — Chinese · simplified
故事知道怎么办 2 — Chinese · simplified
用故事照亮黑夜 — Chinese · simplified
故事总是有办法 — Chinese · simplified
每當孩子傷心時,故事是最好的陪伴 — Chinese · traditional
故事是教養的魔法棒 上 — Chinese · traditional
故事是教養的魔法棒 下 — Chinese · traditional
Therapeutic Storytelling — 101 Healing Stories for Children — English · Hawthorn Press
Healing Stories for Challenging Behaviour — English · Hawthorn Press
An A–Z Collection of Behaviour Tales — English · Hawthorn Press
The Adventures of Little Silk — English
Storytelling in African Teacher Training — English · academic
101 Cuentos Sanadores — Spanish
Cuentos Sanadores — Spanish
Kể chuyện trị liệu — Vietnamese
Zdravilne zgodbe za vedenjske izzive — Slovenian
Three titles in Turkish — Turkish
お話で育む子どもの心 — Japanese
치유 이야기 — Korean
치유동화 — Korean
故事知道怎么办 — Chinese · simplified
故事知道怎么办 2 — Chinese · simplified
用故事照亮黑夜 — Chinese · simplified
故事总是有办法 — Chinese · simplified
每當孩子傷心時,故事是最好的陪伴 — Chinese · traditional
故事是教養的魔法棒 上 — Chinese · traditional
故事是教養的魔法棒 下 — Chinese · traditional

A selection of editions. Hover to pause the shelf.

Dates and enrolment

The next group

Dates
Mon 5 – Wed 7 October
Mon 19 & Tue 20 October
2026 — five sessions, with nine days between to write
Times
3:00 – 5:30pm MYT
6:00 – 8:30pm Sydney
2.5 hours per session
Format
Live on Zoom
Max 12 participants — conducted in English

Standard

RM1,550

One place. Includes the introductory talk, the workbook, and Susan's feedback on your story.

Early bird

RM1,3501,550

Book by Friday 4 September 2026 and save RM200.

Best value

Come as a pair

RM1,1501,550

Each, when two of you book together — RM400 off per person. You'll be paired for the story-writing anyway; this way you choose your partner.

Places are limited to twelve. Registration includes the Zoom link, the introductory talk recording, the pre-reading workbook and a certificate of completion. Enquiries and bookings: info@artbasedcoaching.com

Register

Twelve places. Five sessions. One story you'll finish.

Nothing is charged on the form. We send an invoice, and your place is held once payment is received.

Step 1Complete the formTwo minutes. Nothing is charged.
Step 2We send an invoiceWithin two working days, to you or your organisation.
Step 3Your place is heldConfirmed on payment. Twelve places only.
Step 4Materials arriveZoom link, plus the talk and workbook two to three weeks ahead.
Step 5Session oneMon 5 October, 3.00–5.30pm Malaysia time.

Twelve places in the room

Register now

Early bird closes Friday 4 September 2026.

RM1,150Each · two or more
RM1,350Early bird
RM1,550One place
Open the registration form

Questions before you book, or need an invoice made out to your organisation? Write to info@artbasedcoaching.com.

Before you book

Common questions

Do I need to be a writer?

No. The training gives you a framework, a set of tools — story cards, metaphor mind maps, sketching — and a partner to write with. Most participants have never written a story before. What matters more is that you know a child and a challenge well enough to observe it closely.

Is there homework?

Yes, one piece. At the end of session three you'll identify a challenging behaviour or situation you want to write for, you'll be paired with another participant, and Susan will send written guidelines for the task. Together you write one therapeutic story and email it to her by Friday 16 October, so she can read it before the group discusses it.

Can I choose who I'm paired with?

Yes, if you book together. Pairs are formed at the end of session three for the story-writing homework. If you register with a colleague, partner or co-parent, you can write together — and you both pay the pair rate of RM1,150 instead of RM1,550. If you come alone, Susan pairs you with another participant.

What do I need to do before the training starts?

Two things, both sent about two to three weeks before the training starts. Listen to the one-hour introductory talk: this is required, not optional, because the training builds directly on it. And read the 26-page workbook of theory notes and story examples.

I work with adults, not children. Is this still useful?

The framework is written for children and the examples are drawn from work with children, families and classrooms. That said, the same story structure — metaphor, journey, resolution — is used with teenagers and adults. If your work is entirely with adults, ask before booking so you can decide with the full picture.

What time do the sessions run, and will that clash with work?

Sessions run 3:00–5:30pm Malaysia time, which is 6:00–8:30pm in Sydney where Susan is based. The slot was chosen deliberately for the late part of the day, so it sits after standard school hours for participants in Malaysia and Singapore. If you're joining from another timezone, check your local conversion before you book — the five dates are Mon 5, Tue 6, Wed 7, Mon 19 and Tue 20 October 2026.

What if the group doesn't fill?

The training runs with a minimum of nine participants. If we haven't reached nine, the programme is postponed rather than cancelled — we'll hold your place and confirm new dates with you before anything else happens.

What if I need to cancel, or send someone else?

Let us know at least one week before the first session and your fee is refunded in full. Notice received later than one week before the programme starts is not eligible for a full refund.

You can substitute a different participant at any time at no extra charge — just tell us the new person's name and email so we can send them the introductory talk and the workbook.

Bring one child, one situation, one story you can't tell yet.

You'll leave with it written.